Saturday, October 18, 2014

Fury (2014)

Written and Directed by David Ayer (Street Kings)
Staring:
Brad Pitt (Fight Club)
Shia LeBeouf (Holes)
Michael Peña (Silver Linings Playbook)
Jon Bernthal (Eastwick)
Logan Lerman (3:10 to Yuma)
Jason Issacs (Harry Potter and the Chamber of Secrets)
Xavier Samuel (New Moon)
Scott Eastwood (Clint Eastwood's Facewrinkle)
Alicia Von Rittberg (Debut)


As much as Logan Lerman can't hold a screen, like Noah earlier this year or 3:10 to Yuma a while back, he sure know how to be the whiner in all the right movies. Fury is a depressingly gruesome tale told with unrelenting honesty by David Ayer, whose track record is spotty at best. Street Kings and Harsh Times were a waste of time and talent, but he did helm End of Watch and write Training Day (neither of which I've seen but whose worth can't be denied by ignorance).

Brad Pitt performs as expected, one review had his performance pegged as a toned down version of his Inglorious Basterds character Lt. Aldo Raine, which is not wrong. But the most memorable stints come from Bernthal and LeBeouf (who apparently was so true to character that he didn't shower during the shoot). Notable names in the cast are peppered throughout the film and, like John Wick, no small role is wasted. In the vein of another Jason-Issacs-cameo war film, Black Hawk Down, it would't be surprising if Eastwood or Samuel went the route of a, lets say, Tom Hardy or Orlando Bloom and use this film as a platform to greater fame.

The details of tank warfare Ayer manages to display is a blistering success. It's ground that hasn't truly been spotlit before. "Best job I ever had," the catchphrase repeated by the characters, holds remarkable power in the hands of the performers and the in the context with which it is delivered. Before now, tanks were slow and fearful, but this film gives them a personality. A soul. Although Ayer focus' only on the tank Fury, it wouldn't have hurt the film to give some spotlight to the other crews and not just their versions of Pitt's character.

The story has tangents which take you away from the action and its fault is that it focus' too much on the moral complexity of its characters. It's not that the scenes with the poorly juxtaposed romance is unbearable to watch, in fact, it has it's emotional high points, it's just that it has no real purpose other than adding something that appeases the audience Logan Lerman brought in. That was a poor decision, we already know that he is the POV for the audience, there is no need to soften his character up that much. That said, the ending, which I won't mention, wasn't unwelcome.

All in all, this is a modern day war classic. The gore is gory, The blood is bloody. And death surrounds you the entire time. Each character is morally compromised and there's enough humor that you don't succumb to depression while watching it. Ayer's success here makes his involvement with DC's Suicide Squad all the more interesting.

8 out of 10.





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